No Gold Pavements

Custom-White-passage-corridor-photo-wallpaper-for-living-room-sofa-spatial-extension-personality-wall-mural-wallpaper

(600 words)

Well, there are no black curtains, but it’s a white room I’m standing in. Quite large, I’d say about twenty-foot square, and the ceiling’s high too. I can’t jump and touch it. The walls are luminescent, so there’s a fuzzy white-blue light in the room. I snap into reality. Where the Hell am I?!
You know when you’ve been dreaming because you know you’ve awakened. That’s how I’m feeling right now. I’m sure I’m not dreaming, everything feels normal. Well, as normal as it feels to wake up in your PJs in a strange white room with no doors or windows!
I try to rationalize the situation. I do remember going to bed. I’d been drinking Gallo chardonnay and ordering books on Amazon until gone midnight, then a DVD – Communion. I remember checking the newspaper headlines for today. Something about Prince Harry’s girlfriend – Meghan someone, Brexit, earthquakes, and hurricanes. Then listening to some music in bed. The Best of Cream.
But now I start to feel seriously worried. I feel awake. What are the tests for dreaming? Oh, yes. Jump in the air. I do so and immediately land back on the ground. Try to remember the sequence of events of the last few minutes. Well, I woke up, found myself in this room, and tried to remember what I’d been dreaming. Then I remembered what I did before bed. Yes, a linear sequence of events. What else? Oh, yes. Look at some writing, look away, look back and see if it’s changed. Well, there isn’t any writing, just snow-white walls and floor.
Wait a minute, there is some writing! I don’t remember seeing that before. I cross to a small printed sign. It says, ‘Do you want to exit this room?’ Ha, yes! I look away for a few seconds, look back and the writing has changed! ‘Are you sure you want to exit this room?’ So, I must be dreaming! On impulse, I shout, “YES!” Then, “YES, I’M SURE I WANT TO EXIT THIS FUCKING ROOM!”
I shout repeatedly, feeling a little crazy and expecting to snap awake at any moment. My voice reverberates harshly around the bare walls. Suddenly, silently, part of the wall dissolves, leaving an arch-shaped doorway about eight feet high. Thank God! With relief, I pass through it to find myself in a white corridor. Opposite, is a door with a fluted glass window. There’s something blue and pink moving behind it.
I stand, nervous and expectant as a man emerges. To my amazement, it’s my neighbour, Alan, wearing a royal blue robe. “Hello John,” he says. “They got you too then?”
“What d’you mean? Where are we?”
A woman with long blonde hair follows him, closing the door after her. She wears no makeup and her face is pale, unsmiling. “Hello, John.” It’s Alan’s wife, Sandra. She wears a pale green robe.
“Hello Sandy, what’s going on, where are we?”
“I’m sorry, it’s bad news I’m afraid.”
A white shape appears behind the fluted glass. It’s tall, higher than the window. Twice it moves away, then back again. Finally, the door opens. I shudder. It’s dressed in a white robe and has a large oval head with two huge black eyes. The mouth is small and thin-lipped. It doesn’t have a nose, just two small holes.
It doesn’t speak but I hear its voice. ‘Welcome to our ship … John. We will return you to your home presently. But first, we need to run some … tests.’ It reaches into the robe and pulls out a hypodermic syringe. The needle is three inches long.

Featured in the book and audiobook, To Cut a Short Story Short, vol. II: 88 Little Stories


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